Capital City #10
Our first general impression of Vienna was that it was flasher, glitzier and more expensive than all the places we'd just been. All to be expected, of course, but we didn't anticipate how pronounced the difference would be!
Our first general impression of Vienna was that it was flasher, glitzier and more expensive than all the places we'd just been. All to be expected, of course, but we didn't anticipate how pronounced the difference would be!
some fancy church
One area where this was driven home was
in our search for another new suitcase for John. This was our first
significant undertaking in the city, and it proved to be fruitless.
The cheapest appropriate option in every bag shop was still about 150
euros, maybe 120. With our trusty currency conversion apps out, we
decided fairly quickly that John would be able to continue
carrying/pulling his suitcase along with the broken wheel loudly
protesting until we got back to the inexpensiveness of Eastern
Europe.
Another noticeable aspect of Vienna was
the number of people dressed up, trying to sell concert tickets. It
was the city of music! We enquired into a performance at the opera
house, and decided to “think about it” when the cheapest ticket
was 45 euros. When another guy accosted us outside a subway station
for a different concert, though, for two thirds the price (again, the
cheapest seats – of course), we decided to splash out. If there's
any appropriate place to go and listen to music by Mozart and
Strauss, it's Vienna!
Also appropriate was that we bought
these tickets, as it happens, on the way to see the Mozart House.
There we learned a lot about Antonio Salieri,
weirdly enough. I think there wasn't all that much info on Mozart, so
they provided a bunch of information about this acquaintance of
Mozart's. It was okay, but neither of us had heard of him before and
we didn't particularly care about his
life. That was just the first few rooms, though, and then we got on
to Mozart himself. One of the most interesting parts was seeing his
prodigious output – they estimate an average of six full sheets per
day with twelve lines per page, and yet he also gave lessons,
socialised and had a family. Another point of interest was the
conjecture that Mozart was a big gambler who got enormous illegal
gambling debts, due to his requests for loans of enormous sums of
money from a patron/friend, despite Mozart's own hefty income.
Next we explored some of the Old Town,
including the ornate Plague Column and the Holocaust Memorial in
Judenplatz.
ornate Plague Column
appropriately bleak Holocaust Memorial
The next day was a lesson in luxury and
elegance from start to finish.
We began with a visit to Schonbrunn
Palace and its Grounds. The latter gets a capital initial letter
because it's an attraction in its own right. We thought previous
places we'd seen were opulent; this magnificent imperial palace threw
them into the shade. Like many fancy buildings we've seen, no photos
were permitted inside, but it was lavish, trust me. It was also
heavily populated – a very popular tourist destination, with good
reason.
part of the palace and grounds
As for the surrounds, they were rather
vast and impeccably manicured. We easily spent two and a half hours
going round the loftily titled Gloriette, Neptune fountain, Obelisk
fountain, so-called Roman Ruin and Privy Garden. We also
conquered the labyrinth, sadly finding only tourists at the centre on an
elevated platform, and saw a couple of bisons on our travels, in the
imperial zoo also located in the grounds.
the view from the palace to the Gloriette
guess which fountain!
That afternoon, as per our tourist
book's instructions, we found a cafe, Mozart's apparently, and
ordered a piece of cake and drink each (or, in John's case, apple
strudel). The waiters were all in suits and ties, and I got three
complimentary wafers with my iced chocolate, discovering a delicious
brand of luxury wafer in the process! Again, fancy. And it was this
song, Fancy, by Iggy Azalea, we actually had stuck in our heads all
day. And yes, it's one of those songs where I only know about three
lines plus the chorus.
We don't normally sink to the level of taking food shots, but this was - you know it - fancy.
During our travels in Vienna, we had noticed a big crowd that was constantly standing around outside the Opera House. Between our cafe date and getting home, we finally figured out what it was about - apparently Tom Cruise was in town filming Mission Impossible 5 at that building.
The film set, with possibly Tom Cruise or, more likely, his double.
That
evening we hurried off to our concert at some palace somewhere (honestly, all
the different concerts taking place in all these different fancy
buildings was bewildering). The room itself was lovely, with
beautiful chandeliers and many audience members dressed up (not us –
but that's okay, we were in the cheap seats at the back).
The concert itself was all elegance and
refinement! As promised by the guy on the street, this was a Concert
Plus; not just a chamber orchestra, they also had a couple of opera
soloists come out for some pieces, and a male and female ballet
dancer for others. The singers were amazing; I actually looked at the
chandeliers when the lady first hit a super high note, half-expecting
it to explode. The dancers were also great, so graceful and
beautiful, with the woman's long flowing dresses matching the evening's
elegance; no tutus in sight. Perversely, John enjoyed the
instrumental-only pieces best, as the dancers and singers distracted
from the music behind.
The lovely venue pre-performance.
If you don't care about classical
music, I recommend you skip this paragraph and the next. The chamber
orchestra was comprised of 13 people; one on the grand piano, 5
violins, a cello, a double bass, a flute/piccolo, a clarinet,
percussion, and two brass instruments (a French horn, we think, and a
trumpet or cornet). There was no conductor; the orchestra was led by
the first violin. It was interesting to watch, as I've never seen
such a small orchestra in action, or one led without a conductor. The
first violin was definitely the most dynamic to watch, of course, as
he played his own part with great panache and somehow guided the rest
of the group too.
It was a really audience-friendly
performance; the first piece had some gun cracks go off from the
percussionist, which definitely woke the audience up – not that we
needed it, given the exuberant pace of most of the pieces. The opera
numbers included a duet from Figaro, a duet from Don Giovanni, as
well as solo songs; instrumental pieces we recognised were Rondo alla
Turca and Eine Kleine Nachtmusik. They were all designed to be
crowd-pleasers, of course, and the crowd was pleased. I had a big
smile on my face most of the night, I was just enjoying myself so
much, and we gave them an encore and a standing ovation at the end.
For the last piece in the encore, the first violin motioned to us to
join in and clap along in certain parts. Each time, predictably, the
(rest of the) crowd enthusiastically got faster and faster, while the
percussionist and orchestra grimly carried on at the proper pace. Ah,
poor unwashed and rhythmically-challenged masses. Still, it was great
fun, and a perfect completion of our time in Vienna!
We felt we got a wonderful taste of the
delights on offer in Vienna, and were so glad we actually indulged in
some of the experiences there. We came away with stars in our eyes
– and with that song stuck back in our heads, unfortunately.
For a better version of the song to get stuck in your head, listen to this superior one instead: "Handy".